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1 [someone] messed [me] up or screwed [me] over or fucked [me] over
Американский английский: подвёл (depends on context)Универсальный англо-русский словарь > [someone] messed [me] up or screwed [me] over or fucked [me] over
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2 from the beginning, from the top, completely
Американский английский: на чистую (Depends on context)Универсальный англо-русский словарь > from the beginning, from the top, completely
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3 get into a tail spin [figurative meaning]
Американский английский: вводить в штопор (idiomatic expression [depends on context])Универсальный англо-русский словарь > get into a tail spin [figurative meaning]
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4 nonsense, garbage
Американский английский: фигня (Depends on context.) -
5 really
['rɪ(ə)lɪ]1) Общая лексика: в действительности, в самом деле, воистину, вот как, вправду, действительно, ей богу, на самом деле, неужели, ну, по-настоящему, поистине, право, разве (выражает интерес, удивление, сомнение и т. п.), серьёзно, не может быть (в вопрос. форме: really? вы так думаета?; не может быть!), ей-ей, впрямь, вообще-то2) Разговорное выражение: правда?, право (же)! (выражает интерес, удивление, протест, сомнение и т.п.), по жизни, прямо-таки3) Техника: реально4) Математика: наконец-таки, подлинно, собственно, так-таки, толком, фактически5) Пословица: честное слово (only sing.)6) Американский английский: за чистую (Depends on context)7) Эмоционально-усилительно: крайне, очень, чрезвычайно -
6 take someone around back, take someone in the backway, go around back, get in through the side door
Американский английский: по зеленому коридору (depends on context)Универсальный англо-русский словарь > take someone around back, take someone in the backway, go around back, get in through the side door
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7 withdrawn, like a lump on a log
Американский английский: отмороженный (Depends on context...)Универсальный англо-русский словарь > withdrawn, like a lump on a log
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8 better
I 1. ['betə(r)]to look, taste, smell better — avere un aspetto, sapore, odore migliore
2) (recovered)to be better — [patient, cold] andare meglio
to feel all the better for — sentirsi meglio dopo [rest, meal]
I feel better about doing — (less nervous) mi sento più a mio agio a fare; (less worried) mi faccio meno problemi a fare
4) (of superior quality) (di qualità) migliore, superiore5) (more virtuous) migliore6) (more skilled) [doctor, teacher] miglioreto be a better swimmer than sb. — nuotare meglio di qcn.
to be better at — essere più bravo in [subject, sport]
7) (more suitable) [way, excuse, choice] migliorethe sooner, bigger the better — prima è, più grande è meglio è
the less said about that the better — meno se ne parla, meglio è
9) (more accurate) [description, view] migliore2.the better — il, la migliore (di due)
so much the better — tanto meglio, ancora meglio
to change for the better — migliorare, cambiare in meglio
my betters — (in rank) i miei superiori; (in merit) quelli migliori di me
••for better (or) for worse — comunque vada, in ogni caso; (in wedding vow) nella buona e nella cattiva sorte
••to get the better of — avere la meglio su [ enemy]
Note:When better is used as an adjective, it is translated by migliore or meglio depending on the context (see below, and note that migliore is the comparative form of buono, meglio the comparative form of bene). The choice between migliore e meglio in the construction to be better than depends on whether buono or bene would be used originally with the noun. - Other constructions translate as follows: this is a better bag / car = questa borsa / auto è migliore; it is better to do = è meglio farlo. - For more examples and particular usages, see the entry belowII ['betə(r)]1) (more adequately) meglio, in modo migliorebetter made, organized than — fatto, organizzato meglio di
better behaved, educated — più educato, istruito
to do better — (in career, life) riuscire, meglio; (in exam, essay) fare meglio, ottenere migliori risultati; (in health) andare meglio
the better to see, hear — per vedere, sentire meglio
2) (more appropriately) meglioyou had better do o you'd better do faresti meglio a fare; I'd better go è meglio che vada; "will she come?" - "she'd better!" o "she better!" colloq. "verrà?" - "sarà meglio! better still,... — meglio ancora
••to think better of it — cambiare idea, ripensarci
III 1. ['betə(r)] 2.to think better of sb. — farsi un'opinione migliore di qcn
* * *['betə]comparative; = good* * *I 1. ['betə(r)]to look, taste, smell better — avere un aspetto, sapore, odore migliore
2) (recovered)to be better — [patient, cold] andare meglio
to feel all the better for — sentirsi meglio dopo [rest, meal]
I feel better about doing — (less nervous) mi sento più a mio agio a fare; (less worried) mi faccio meno problemi a fare
4) (of superior quality) (di qualità) migliore, superiore5) (more virtuous) migliore6) (more skilled) [doctor, teacher] miglioreto be a better swimmer than sb. — nuotare meglio di qcn.
to be better at — essere più bravo in [subject, sport]
7) (more suitable) [way, excuse, choice] migliorethe sooner, bigger the better — prima è, più grande è meglio è
the less said about that the better — meno se ne parla, meglio è
9) (more accurate) [description, view] migliore2.the better — il, la migliore (di due)
so much the better — tanto meglio, ancora meglio
to change for the better — migliorare, cambiare in meglio
my betters — (in rank) i miei superiori; (in merit) quelli migliori di me
••for better (or) for worse — comunque vada, in ogni caso; (in wedding vow) nella buona e nella cattiva sorte
••to get the better of — avere la meglio su [ enemy]
Note:When better is used as an adjective, it is translated by migliore or meglio depending on the context (see below, and note that migliore is the comparative form of buono, meglio the comparative form of bene). The choice between migliore e meglio in the construction to be better than depends on whether buono or bene would be used originally with the noun. - Other constructions translate as follows: this is a better bag / car = questa borsa / auto è migliore; it is better to do = è meglio farlo. - For more examples and particular usages, see the entry belowII ['betə(r)]1) (more adequately) meglio, in modo migliorebetter made, organized than — fatto, organizzato meglio di
better behaved, educated — più educato, istruito
to do better — (in career, life) riuscire, meglio; (in exam, essay) fare meglio, ottenere migliori risultati; (in health) andare meglio
the better to see, hear — per vedere, sentire meglio
2) (more appropriately) meglioyou had better do o you'd better do faresti meglio a fare; I'd better go è meglio che vada; "will she come?" - "she'd better!" o "she better!" colloq. "verrà?" - "sarà meglio! better still,... — meglio ancora
••to think better of it — cambiare idea, ripensarci
III 1. ['betə(r)] 2.to think better of sb. — farsi un'opinione migliore di qcn
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9 обстоятельство
I ср. circumstance;
мн. circumstances, circs, condition, context при данных/таких обстоятельствах ≈ under the circumstances по независящим от меня обстоятельствам ≈ for reasons beyond my control ни при каких обстоятельствах ≈ in/under no circumstances, in no case смягчающие вину обстоятельства юр. ≈ extenuating circumstances отягчающие вину обстоятельства ≈ aggravating circumstance зависящий от обстоятельств ≈ contingent благоприятные обстоятельства ≈ favorable circumstance;
prosperity редк. внешние обстоятельства ≈ external отягчающее обстоятельство ≈ aggravation смотря по обстоятельствам ≈ depending on circumstances по семейным обстоятельствам ≈ for domestic reasons сплетение обстоятельств ≈ combination of circumstances;
complications мн. непредвиденное обстоятельство ≈ contingency II ср.;
грам. adverb;
adverbial modifierобстоятельств|о - с.
1. (событие, факт) circumstance;
благоприятное ~ favorable circumstance;
непредвиденное ~ unforseen circumstance;
отягчающее ~ юр. aggravating circumstance;
побочное ~ collateral circumstance;
сложившиеся ~а the circumstances;
случайное ~ accident circumstance;
смягчающее ~ attenuating circumstance;
сопутствующее ~ attendant circumstance;
уличающее ~ incriminating circumstance;
~ непреодолимой силы юр. force-majeure circumstance;
все ~а дела all the facts of the case;
выяснить все ~а дела find* out all about the case;
то ~, что... the fact that...;
2. мн. (условия, обстановка) circumstances;
при таких ~ах under the circumstances;
при других ~ах under any other circumstances;
при всех ~ах all things considered;
ни при каких ~ах я не приду under no circumstances will I come;
по независящим от кого-л. обстоятельствам owing to circumstances outside one`s control;
3. грам. adverbial modifier;
~ времени, места, образа действия adverbial modifier of time, place, manner;
смотря по ~ам according to circumstances;
(как ответ) it all depends.Большой англо-русский и русско-английский словарь > обстоятельство
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10 let's [go], Ok, Ok then, so long, go on, go ahead, later, bye, take care.
Американский английский: давай (Depends on where it's used and on the context.)Универсальный англо-русский словарь > let's [go], Ok, Ok then, so long, go on, go ahead, later, bye, take care.
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11 become
past tense - became; verb1) (to come or grow to be: Her coat has become badly torn; She has become even more beautiful.) volverse, ponerse, convertirse2) (to qualify or take a job as: She became a doctor.) hacerse, llegar a ser3) ((with of) to happen to: What became of her son?) ser de4) (to suit: That dress really becomes her.) sentar bien, quedar bien•- becoming- becomingly
become vb1. hacerse / convertirse en / llegar a ser2. hacerse / volverse / ponerseshe became angry se puso furiosa / se enfadótr[bɪ'kʌm]1 (with noun) convertirse en, hacerse, llegar a ser■ to become a doctor/teacher hacerse médico,-a/maestro,-a2 (change into) convertirse en, transformarse en■ to become mad volverse loco,-a, enloquecer■ to become fat ponerse gordo,-a, engordar■ to become angry ponerse enfadado,-a, enfadarse■ to become sad ponerse triste, entristecerse■ to become deaf quedarse sordo,-a, ensordecerse■ to become blind quedarse ciego,-a\SMALLIDIOMATIC EXPRESSION/SMALLwhat has become of...? ¿qué ha sido de...?■ what has become of your sister? ¿qué ha sido de tu hermana?: hacerse, volverse, ponersehe became famous: se hizo famosoto become sad: ponerse tristeto become accustomed to: acostumbrarse abecome vt1) befit: ser apropiado para2) suit: favorecer, quedarle bien (a alguien)that dress becomes you: ese vestido te favorecep.p.(Participio pasivo de "to become")v.(§ p.,p.p.: became, become) = convenir v.(§pres: -vengo, -vienes...-venimos) pret: -vin-fut: -vendr-•)• convertirse v.• convertirse en v.• devenir v.(§pres: -vengo, -vienes...-venimos) pret: -vin-fut: -vendr-•)• hacerse v.• llegar a ser v.• ponerse v.• resultar v.• volverse v.bɪ'kʌm
1.
to become arrogant/distant — volverse* arrogante/distante
to become famous — hacerse* famoso
she soon became bored/tired — pronto se aburrió/se cansó
to become a lawyer — hacerse* abogado
2.
vta) ( befit) (frml) (often neg) ser* apropiado parab) ( suit) favorecer*Phrasal Verbs:[bɪ'kʌm] (pt became) (pp become)1. VI1) (=grow to be)to become ill — ponerse enfermo, enfermar
to become old — hacerse or volverse viejo
to become red — ponerse rojo, enrojecerse
it became known that... — se supo que..., llegó a saberse que...
2) (=turn into) convertirse en, transformarse enthe building has become a cinema — el edificio se ha convertido or transformado en cine
2.IMPERS VBwhat has become of him? — ¿qué ha sido de él?
what will become of me? — ¿qué será de mí?
whatever can have become of that book? — ¿dónde estará ese libro?
3.VT (=look nice on) favorecer, sentar bienBECOME, GO, GET The translation of become/go/ get depends on the context and the type of change involved and how it is regarded. Very often there is more than one possible translation, or even a special verb to translate get + ((adjective)) (e.g. get angry - enfadarse), but here are some general hints.
Become {etc} + adjective
► Use pon erse to talk about temporary but normal changes:
I got quite ill Me puse muy malo
He went pale Se puso blanco
You've got very brown Te has puesto muy moreno
He got very angry Se puso furioso ► Use vol verse to refer to sudden, longer-lasting and unpredictable changes, particularly those affecting the mind:
He has become very impatient in the last few years Se ha vuelto muy impaciente estos últimos años
She went mad Se volvió loca ► Use que dar(se) especially when talking about changes that are permanent, involve deterioration and are due to external circumstances. Their onset may or may not be sudden:
He went blind (Se) quedó ciego
Goya went deaf Goya (se) quedó sordo
Q uedar(se) is also used to talk about pregnancy:
She became pregnant (Se) quedó embarazada ► Use hac erse for states resulting from effort or from a gradual, cumulative process:
They became very famous Se hicieron muy famosos
The pain became unbearable El dolor se hizo insoportable ► Use lle gar a ser to suggest reaching a peak:
The heat became stifling El calor llegó a ser agobiante
Become {etc} + noun
► Use hac erse for career goals and religious or political persuasions:
He became a lawyer Se hizo abogado
I became a Catholic in 1990 Me hice católico en 1990
He became a member of the Green Party Se hizo miembro del Partido Verde ► Use lle gar a + ((noun)) and llegar a ser + ((phrase)) for reaching a peak after a period of gradual change. This construction is often used to talk about professional accomplishments:
If you don't make more effort, you'll never get to be a teacher Si no te esfuerzas más, no llegarás a profesor
Castelar became one of the most important politicians of his time Castelar llegó a ser uno de los políticos más importantes de su época
Football became an obsession for him El fútbol llegó a ser una obsesión para él ► Use con vertirse en for long-lasting changes in character, substance and kind which take place gradually:
Those youngsters went on to become delinquents Aquellos jóvenes se convirtieron después en delincuentes
Over the years I have become a more tolerant person Con los años me he convertido en una persona más tolerante
Water turns into steam El agua se convierte en vapor ► Use que dar(se) + ((adjective)) to talk about changes, particularly when they are permanent, for the worse and due to external circumstances. Their onset may or may not be sudden:
She became a widow (Se) quedó viuda ► To translate hav e turned into {or} have become {etc} + ((noun)) in emphatic phrases particularly about people, you can use estar hecho un(a) + ((noun)):
Juan has become a really good pianist Juan está hecho todo un pianista For further uses and examples, see become, go, get, turn* * *[bɪ'kʌm]
1.
to become arrogant/distant — volverse* arrogante/distante
to become famous — hacerse* famoso
she soon became bored/tired — pronto se aburrió/se cansó
to become a lawyer — hacerse* abogado
2.
vta) ( befit) (frml) (often neg) ser* apropiado parab) ( suit) favorecer*Phrasal Verbs: -
12 better
I.II.❢ When better is used as an adjective it is translated by meilleur or mieux depending on the context (see below, and note that meilleur is the comparative form of bon, mieux the comparative form of bien). The choice between meilleur and mieux in the construction to be better than depends on whether bon or bien would be used originally with the noun. Other constructions translate as follows: this is a better bag/car = ce sac/cette voiture est mieux ; it is better to do = il vaut mieux faire or il est mieux de faire. As an adverb, better can almost always be translated by mieux. For more examples and particular usages, see the entry below.A n1 (something preferable, more excellent) the better le/la meilleur/-e m/f ; much ou by far the better of the two de loin le/la meilleur/-e des deux ;2 ( more desirable state of affairs) to deserve/expect/hope for better mériter/attendre/espérer mieux ; so much the better, all the better tant mieux ; a change ou turn for the better une amélioration ; to change ou take a turn for the better s'améliorer ; the weather changed, and not for the better le temps a changé, et pas en mieux ;1 (more pleasing, satisfactory) [weather, day, news, joke, forecast, review, salary, price, range] meilleur ; [party, game, book, film, activity] mieux ; playing is better than watching jouer, c'est mieux que de regarder ; to get better s'améliorer ; the weather is no better le temps n'est pas meilleur or ne s'est pas amélioré ; things are getting better ça va mieux ; ‘good news?’-‘it couldn't be better!’ ‘bonnes nouvelles?’-‘on ne peut meilleures!’ ; to look/sound better être/sonner mieux ; to taste/smell better être/sentir meilleur, avoir un/-e meilleur/-e goût/odeur ; it would taste all the better for some salt ce serait meilleur avec du sel ; it looked all the better for it cela n'en était que mieux ; that's better! voilà qui est mieux! ;2 (well, recovered) to be better [patient, cold, headache] aller mieux ; to feel all the better for se sentir mieux après [rest, meal] ; better than I/it was mieux qu'avant ;3 ( happier) [mood] meilleur ; to feel better se sentir mieux ; I'd feel better if you did/didn't do je me sentirais mieux si tu faisais/ne faisais pas ; if it makes you feel any better ( less worried or awkward) si ça t'aide à te sentir mieux ; ( less sad) si ça peut te consoler ; to feel better about doing ( less nervous) se sentir à même de faire ; (less worried, guilty) avoir moins de scrupules à faire ;4 (of superior quality, class) [food, result, film, book, quality] meilleur ; [car, carpet, district, family] mieux ; [land, school, hotel] meilleur, mieux ; [coat, shoes, furniture] de meilleure qualité ; one of the better schools une des meilleures écoles ; he went to a better school than I did ou than me il est allé dans une école meilleure que la mienne ;5 (more virtuous, commendable) [person] mieux ; [life, influence, nature] meilleur ; to be a better man/woman than être mieux que ; you're a better man than I am! tu es mieux que moi! ; to be no better than sb ne pas être mieux que qn ; to be no better than a thief être un voleur ni plus ni moins ;6 ( more skilled) [doctor, actor, teacher] meilleur ; to be a better poet than sb être meilleur poète que qn ; to be a better swimmer than sb nager mieux que qn ; to be a better singer than dancer chanter mieux que l'on ne danse ; to be a better father than husband être meilleur père que mari ; to be better at être meilleur en [subject, sport] ; to be better at doing faire mieux ; he's no better at driving than she is ou than her il ne conduit pas mieux qu'elle ;7 (more suitable, valid, appropriate) [tune, tool, way, word, idea, example, reason, excuse, choice] meilleur ; to be better for être meilleur pour [purpose, task] ; to be better for doing être mieux pour faire ; to be better than nothing être mieux que rien ; better a part-time job than no job mieux vaut un travail à mi-temps que pas de travail ; the bigger/sooner the better le plus grand/vite possible ; the faster you work the better plus tu travailles vite, mieux ça vaudra ; the less said about that the better mieux vaut ne pas parler de ça ; who better to play the part? qui mieux pourrait jouer le rôle? ; where/how better to do…? quel meilleur endroit/moyen pour faire…? ;8 ( more beneficial) [exercise, food] meilleur ; swimming is better for you than running nager est meilleur pour la santé que courir ;9 ( more accurate) [description, recollection, view, understanding] meilleur ; in order to get a better look pour mieux voir ; to be a better likeness être plus ressemblant.1 ( more adequately or excellently) mieux ; to fit/behave better than aller/se comporter mieux que ; better made/organized than mieux fait/organisé que ; to think better of sb avoir une meilleure opinion de qn ; better behaved/educated plus sage/cultivé ; to be better tempered/mannered avoir meilleur caractère/de meilleures manières ; to do better (in career, life) réussir mieux ; (in exam, essay) faire mieux ; ( in health) aller mieux ; ‘could do better’ ‘pourrait or peut mieux faire’ ; the better to see/hear pour mieux voir/entendre ; the more she talked, the better I understood plus elle parlait, mieux je comprenais ;2 ( more advisably or appropriately) mieux ; it couldn't have been better timed ça n'aurait pu mieux tomber ; the money would be better spent on il vaudrait mieux dépenser l'argent en ; he is better left alone il vaut mieux le laisser seul ; you would be better advised to do tu serais mieux avisé de faire ; you would do better to do tu ferais mieux de faire ; you had better do, you'd better do ( advising) tu ferais mieux de faire ; ( warning) tu as intérêt à faire ; I'd better go je ferais mieux de m'en aller ; ‘will she come?’-‘she'd better! ou she better ○ !’ ‘est-ce qu'elle viendra?’-‘elle a intérêt!’ ; ‘will it be open?’-‘it had better be! ou it better had be! ou it better be ○ !’ ‘est-ce que ça sera ouvert?’-‘il y a intérêt!’ ; ‘more cake?’-‘I'd better not’ ‘encore du gâteau?’-‘non merci’ ; ‘shall I come?’-‘better not’ ‘est-ce que je viens?’-‘il vaut mieux pas’ ; better still,… ou mieux,…D vtr1 ( surpass) améliorer [score, one's performance, achievement] ; faire mieux que [rival's performance, achievement] ; to better sb's offer offrir un meilleur prix que qn ;2 ( improve) améliorer [condition, quality].for better (or) for worse gen advienne que pourra ; ( in wedding vow) pour le meilleur et pour le pire ; to get the better of [person] triompher de, vaincre [enemy, opponent, problem] ; his curiosity got the better of him sa curiosité a pris le dessus ; the problem got the better of her le problème l'a dépassée ; to go one better faire encore mieux (than que) ; to think better of it changer d'avis. -
13 communications channel
Gen Mgta medium through which a message is passed in the process of communication. Communications channels include the spoken, written, and printed word, and electronic or computer-based media such as radio and television, telephones, videoconferencing, and electronic mail. The most effective channel for a specific message depends on the nature of the message and the audience to be reached, as well as the context in which the message is to be transmitted. -
14 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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15 Reading
1) The Discovery of Truth Depends on the Thoughtful Reading of Authoritative TextsFor the Middle Ages, all discovery of truth was first reception of traditional authorities, then later-in the thirteenth century-rational reconciliation of authoritative texts. A comprehension of the world was not regarded as a creative function but as an assimilation and retracing of given facts; the symbolic expression of this being reading. The goal and the accomplishment of the thinker is to connect all these facts together in the form of the "summa." Dante's cosmic poem is such a summa too. (Curtius, 1973, p. 326)The readers of books... extend or concentrate a function common to us all. Reading letters on a page is only one of its many guises. The astronomer reading a map of stars that no longer exist; the Japanese architect reading the land on which a house is to be built so as to guard it from evil forces; the zoologist reading the spoor of animals in the forest; the card-player reading her partner's gestures before playing the winning card; the dancer reading the choreographer's notations, and the public reading the dancer's movements on the stage; the weaver reading the intricate design of a carpet being woven; the organ-player reading various simultaneous strands of music orchestrated on the page; the parent reading the baby's face for signs of joy or fright, or wonder; the Chinese fortune-teller reading the ancient marks on the shell of a tortoise; the lover blindly reading the loved one's body at night, under the sheets; the psychiatrist helping patients read their own bewildering dreams; the Hawaiian fisherman reading the ocean currents by plunging a hand into the water; the farmer reading the weather in the sky-all these share with book-readers the craft of deciphering and translating signs....We all read ourselves and the world around us in order to glimpse what and where we are. We read to understand, or to begin to understand. We cannot do but read. Reading, almost as much as breathing, is our essential function. (Manguel, 1996, pp. 6-7)There is a pitched battle between those theorists and modellers who embrace the primacy of syntax and those who embrace the primacy of semantics in language processing. At times both schools have committed various excesses. For example, some of the former have relied foolishly on context-free mathematical-combinatory models, while some of the latter have flirted with versions of the "direct-access hypothesis," the idea that skilled readers process printed language directly into meaning without phonological or even syntactic processing. The problems with the first excess are patent. Those with the second are more complex and demand more research. Unskilled readers apparently do rely more on phonological processing than do skilled ones; hence their spoken dialects may interfere with their reading-and writing-habits. But the extent to which phonological processing is absent in the skilled reader has not been established, and the contention that syntactic processing is suspended in the skilled reader is surely wrong and not supported by empirical evidence-though blood-flow patterns in the brain are curiously different during speaking, oral reading, and silent reading. (M. L. Johnson, 1988, pp. 101-102)Historical dictionary of quotations in cognitive science > Reading
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